This brief research paper aims to analyse the media pilgrimage from this perspective with the case study of a former Turkish TV-series Leyla ile Mecnun (2011-2013), adopting a digital ethnographical approach over the 4 main settings which are located closely within the same district.
Varsayalım İsmail was a TV series that was screened in 1986, when the second television channel of TRT was recently started its testing broadcast. Until Varsayalım İsmail, Ferhan Şensoy and his friends from Ortaoyuncular crew were preparing short TV sketches on TRT. As there was less control in the new channel because of testing broadcast, Varsayalım İsmail was suitable for TV2 rather than TV1 [1].